Released in 1988 supernatural creature feature Pumpkinhead
was filmed over 36 days in various Los Angeles locations during the summer of
’87. It received a limited cinema
release in the US that brought precious little in the way of either fanfare or substantial box office
success before being released onto the video rental market where it found
moderate cult success.
Pumpkinhead stars Lance Henriksen as Ed Harley, the owner of a road-side country store, whose son is mortally wounded in a dirt bike accident perpetrated by one of a group of city kids on a camping holiday. He takes the boy’s body to a backwoods witch called Haggis (yes, really) and implores her to bring his son back to life. She disappoints him in that respect but against here own advice assists him in his desire for vengeance by helping to conjure up a demon (the titular Pumpkinhead) to exact terrible retribution on the kids he holds responsible for the terrible tragedy.
Pumpkinhead stars Lance Henriksen as Ed Harley, the owner of a road-side country store, whose son is mortally wounded in a dirt bike accident perpetrated by one of a group of city kids on a camping holiday. He takes the boy’s body to a backwoods witch called Haggis (yes, really) and implores her to bring his son back to life. She disappoints him in that respect but against here own advice assists him in his desire for vengeance by helping to conjure up a demon (the titular Pumpkinhead) to exact terrible retribution on the kids he holds responsible for the terrible tragedy.
As the directorial debut of special effects wunderkind Stan
Winston, Pumpkinhead is elevated from a below average supernatural thriller to something
moderately watchable predominantly as a result of the still impressive
practical creature FX. Perhaps
surprisingly the demon wasn’t designed, built and brought to life by Winston
himself. Instead he chose to take a step
back to allow him to focus his efforts 100% on directing and delegated the effects work to a five man team
comprised of John Rosengrant, Tom Woodruff Jr., Shane Mahan, Richard Landon and
Alec Gillis. Having variously worked on
some classic eighties monster movies such as Predator, Aliens and Fred
Dekker’s underrated classic horror mash-up The Monster Squad they were eager to show what they
could deliver without the direct supervision of their mentor. Deliver they did and, to their credit, they unleashed
a wonderfully macabre creation in the form of the eponymous vengeance
demon. An intimidating eight foot high
masterpiece of foam and spandex which was inhabited by Woodruff Jr. (who was
supported by an extremely uncomfortable unpadded harness throughout the shoot) Pumpkinhead
is a walking nightmare brought to life. The head alone
contained 19 tiny servo-mechanisms which allowed off camera control of the
demon’s expressions. All of this adds up
to one of the most memorable horror movie villains of all time. It’s just a shame that the movie that was
built around it isn’t better than it is.
One of the main problems (there’s more than one) with the
movie is that none of the kids are sufficiently well developed enough to squeeze so much
as a single drop of sympathy from the viewer.
As one by one they meet their end at the impressively crafted hands of
Pumpkinhead all I managed by way of response in most instances was a shrug. This in turn leads to the next problem. In a horror movie of this nature if the
viewer doesn’t really care about the victims then all that’s left in terms of
entertainment value is the pleasure of seeing them dispatched in spectacularly
nasty, hopefully gory fashion. There’s
no disputing that the movie delivers a wonderfully crafted creature but it
fails dramatically to deliver anything in the way of crushed heads, ripped
limbs and flying viscera. The kill
scenes are relatively dry and mostly uninspired. Even the most effective moment is a direct
steal from the brilliantly orchestrated opening scene of Dario Argento’s Suspiria.
Another more damaging problem is that it’s neither scary nor
particularly exciting. The demon is
intimidating enough but the scenes in which it features lack much in the way of
energy or invention. In terms of acting the movie is a mixed bag. No-one
disgraces themselves but the blandness of the script likely doesn’t assist
them. Only Lance Henricksen rises above mediocrity
even taking the opportunity to chew the scenery to entertaining effect during a couple of scenes. But he’s nowhere near the form of his
performance as Bishop in Aliens or his career best performance as Jessie in
vampire noir masterpiece Near Dark, but at
least his character’s plight gives the movie an emotional hook onto which the viewer can hang his/her attention.
It's impossible to deny that the
problems with the script, the predictability of the outcome and a complete lack
of identification with any of the protagonists have a negative effect
on the overall effectiveness of Pumpkinhead. The movie isn’t a total failure and it’s clear why it gained
a cult following that persists to this day but it really should have and could have been better.
OUR SCORE
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