I have no idea why it took me
this long to check out Splinter. When it arrived on DVD in the UK I was working
at Blockbuster and quickly lost count of the number of customers who, knowing
me as a bit of a horror aficionado, recommended it. I even borrowed it a couple of times but for
one reason or another didn’t find the time to watch it. I finally scratched that itch and in a way
I’m glad it took me this long to do so because Splinter was just the tonic I
was looking for.
The premise is beautifully
simple. After being abducted by two
criminals on the run a couple find themselves trapped in a remote gas station under
siege and at the mercy of a parasite which transforms its victim’s bodies into
a relentless and deadly weapon. The end
result is an economical exercise in stomach-knotting terror with a healthy dose
of wince inducing, bone-snapping special effects.
Director Toby Wilkins evidently
has a fine understanding of the principal rules that should (but don’t always) govern
low budget horror movies. The formula
for success is as follows: take a strong central premise that can be
accomplished effectively on a lean budget; add a small cast who don’t act like
they’ve been borrowed from Ikea; find a single main location (preferably
remote); unleash hell. Throw these
elements into the big movie melting pot and the end result should be a damn
tasty stew. In Splinter all of these
elements come together perfectly with the end result delivering one of the most intense and
visceral pieces of body horror I’ve seen in some time.
There are too many horror movies that
are populated with ciphers instead of living, breathing characters which the
viewer can become emotionally invested in.
Take away that all-important element of actually caring about the fate
of the characters and you’d best replace it with something else (that something
else usually being, at best, a surfeit of expertly staged violence). Personally
I’ll take a horror movie where I give a shit about the fate of those caught up
in the story over one where I’m thinking “die already”. Splinter takes as much of its lean sub-ninety
minute run-time as it can afford to develop its characters before it starts putting them through
the wringer. But crucially even when the
shit starts liberally hitting the fan at a velocity that takes the viewer’s
breath away the movie takes a a time-out from the mayhem every so often to ensure that you continue
to care about these people.
The cast are excellent
with Paulo Constanzo and Jill Wagner convincing as the couple who find
themselves in a bad situation that just keeps getting worse. Shea Whigham is utterly convincing as the
escaped convict who as the movie progresses and the threat presented by the
constantly mutating creature becomes more deadly finds himself having to bond
with his captives in order to have any chance of surviving.
Another thing Splinter gets right
is the special effects. I’m a great
believer in the (in danger of being lost) art of the practical effect. CGI can be effective but, especially where
low budget horror movies are concerned, should be used only in support of, not
instead of, more classic methods. I love
the physical presence of practical effects.
CGI when used to entirely supplant practical effects often (not always)
succeeds in diluting the effectiveness of a horror movie. Take John Carpenter’s classic The Thing and
compare it to the recent pseudo-remake.
Which is more effective? If you
think the latter is more effective you’re reading the wrong blog. Splinter is an indie horror movie which was
made on a micro budget. The money spent
on effects was likely a fraction of that granted to the vast majority of medium
budget studio efforts. But I’ll take the
sometimes course but nonetheless effective FX in Splinter above the over-reliance
on CGI that is in danger of becoming the default for the genre.
With Splinter Toby Wilkins delivers a lean, mean and brutally effective indie horror gem. If you’ve yet to see this brilliant slice of body horror I would suggest you remedy the situation with haste. It’s sure to get under your skin.
With Splinter Toby Wilkins delivers a lean, mean and brutally effective indie horror gem. If you’ve yet to see this brilliant slice of body horror I would suggest you remedy the situation with haste. It’s sure to get under your skin.
OUR SCORE
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